You want to shoot videos and just bought a still camera. Are you nuts?
If you had bought an actual video camera you could roll into a video shoot and be able to record video with audio for about a solid hour with no problems. Unfortunately, this is not the case with your DSLR.
Here are some things you absolutely must have for your average video.
1. Audio Recorder
The inputs on the 5D and 7D are practically useless, so spend the $200-400 on a portable audio recorder with XLR inputs. Which leads to my next “must-have”.
2. Pluraleyes
Syncing audio = a pain in the rear. You either have to mark each time you stop and start with your DSLRs OR, you could not worry about it and buy Pluraleyes to do it for you. This handy program runs in Final Cut (and a few other NLEs), looks at your audio and video in a sequence and syncs them up automatically. Seriously, it’s awesome.
3. A Way To Check Focus
Not really a “thing” you can bring, but still a must-have. Whether you get a view-finder magnifier or a monitor, staying in focus is one of the hardest parts to get used to in DSLR shooting. It’s not a good feeling to finish a shoot, load the footage and find out your best take was soft.
4. Extra Memory and Batteries
Depending on your shoot you may need a lot of these. A “real” video camera battery lasts quite a while. DSLRs generally don’t (you’re lucky to get an hour of shooting). Have extras. Lots of them. Your average 16GB memory card will hold under 50 minutes of footage. You may find the best solution is to have someone on the shoot dumping and formatting the cards as you go.
5. A Selection of Lenses
Sorry folks, no zooming here. Well, not really. Even if you buy a zoom lens, it’s nearly impossible to get a smooth zoom with one. Get used to moving the camera around. The best option may be to have a wide, medium and close-up lens in your kit and a zoom for emergencies. Plus it will make you feel like a real Hollywood DP (almost all feature films are shot on sets of prime lenses).
If you ask me, even with all of the hassles of shooting DSLR, the image quality is totally worth it. What do you think?
Phillip Gibb says
so much for the entry level budget filmmaker, eh?
well, I am going dive in as soon as I can. The beauty of this approach is that your big investment is in the lenses (or should be), and they should out last a couple body replacements.
BrianNotess says
Yeah, it does certainly add up.
The cool thing is that you can build as you go. We started with a 7D body and borrowed lenses for a while, then added the portable audio recorder and finally bought Pluraleyes last week (the 30 day free trial helps) etc etc.
I felt obligated to post some of the draw-backs of shooting DSLR after my previous post on why your church must buy one 😉
Ryan Brien says
Great post. I’ve been shooting with a 7D at my church for almost a year now and absolutely love it. There’s the obvious drawbacks that you’ve mentioned but the pros far outweigh the cons. One thing I would add to your list of “must haves” is camera support. Trying to shoot a DSLR hand-held is an awful idea. For my shoots I’ve used a tripod, a glidetrack (slider) and a Redrock shoulder rig. Here’s a few videos we’ve done with DSLRs.
http://vimeo.com/14274707
http://vimeo.com/11903195
http://vimeo.com/13397485
John Saddington says
whoa! thanks for this!
BrianNotess says
I agree totally about hand-held.
We use a Zacuto rig which I like better than the red-rock (which we rented once) but man is good stabilization PRIC-EY.
The glidetrack/slider is also awesome.
Thanks for sharing.
Eric says
The zoom h4n looks nice, we opted for a pack to pack wireless lapel from sennheiser the only bummer is having the lapel mic in the shot.
BrianNotess says
I have a love hate relationship with the lapel mic.
Love: No boom operator and little to no room tone.
Hate: The mic in the shot and the hassle of wireless pacs.
Ryan Brien says
Not to mention little to no control or monitoring of your audio recording in the camera.